Tuesday, August 7, 2012

July - do or die.


Looking back over my last entry, I can’t believe how far I’ve come.  So much so, I’ll dare to call myself a Piper.  Not a very good piper (yet), but by God, I’ve played in public, pubs and parades.  So I’ll claim the moniker, thank you very much.
Let’s see if we can’t catch up on this marathon…

Since the last post, we got our uniforms in and have been sorting through ill measured tunics and oversized kilts.  But we managed to trade around enough to get ourselves respectably outfitted.  The kilt I ended up with is still a bit big, so I’ll have to find a tailor to bring it down an inch or two, and take an inch off the bottom.

Neil got us new chanter reeds.  While they may sound better, they are quite a bit harder to play.   Our debut was scheduled for June 22nd, and the fact is I didn’t feel comfortable playing the harder reed.  So I switched it back for my easier reed.
The morning of the 22nd, I took my pipes out to an isolated section of Magnuson Park to practice my tunes. I have to admit, there was something deeply satisfying in standing on the shores of Lake Washington, playing my pipes under a cloudy (and very Scottish feeling) sky, sending the tunes out across the water.

That evening was a “soft” opening, under the guise of our monthly Department Social.  We gathered (in uniform) at Paddy Coynes at Pier 70.  We marched in (well, walked in) playing The Minstrel Boy followed by The Rowan Tree.  The crowd was highly enthusiastic!  Throughout the night, we played three or four different times.  Unfortunately, our repertoire is limited to Minstrel Boy/The Rowan Tree, The Battle’s Over/Green Hills of Tyrol, Amazing Grace, Going Home and Scot’s Wha Hay (Not played.)  Consequently, we repeated our sets a few times.  Nevertheless, it was a huge boost to our self confidence, and just what we needed.  The best part was that my parents were in town and got to see the whole thing.  
The next day I put my harder reed back in.  (This becomes important in a later post.)

The next few rehearsals we worked on marching.  Unlike my marching band days, there is no stylized step, not high knee, no rolling foot.  It’s really just walking in syncopation, which is fine with me. 
Boston Police Pipes and Drums arrived on July 19th.  There was a joint practice on July 20th, which I was unable to attend.
July 21st was our first parade – the West Seattle Hi-Yu parade.  It was to be the beginning of a pretty intense bagpipe week…
We marched ahead of Boston.  In the course of our practices, it was decided we could only effectively march to the 4/4’s.  For some reason the ¾ marches were throwing people off.  So we played Minstrel Boy/Rowan tree over, and over, and over, and over…….
Boston marched behind us.  We played our two tunes, then Boston would play 3 or four tunes, they’d we’d play our two tunes again.  Much to my surprise, my lips held out for nearly the entire parade.  There were only one or two sets where I had to just sound my drones, because I couldn’t get enough air to set the chanter.

Following the parade, we had lunch at Terrible Beauty in West Seattle.  Boston’s drum major presented our band with an inscribed Paul Revere bowl.  It was promptly filled with Guinness and passed around.  I don’t know if it was intended to mirror a Quaich ceremony, but that’s what it was.  It was all very heartfelt.   We went to Seattle University where the Delta Police Pipes and Drums had just arrived.  There was a group photo of all three bands, and about half the group went off to The Chieftain Irish pub to keep drinking.  Myself, I went back to headquarters to get some downtime, water and put some more hemp on my drones.

Around 1600 or so, we all met at the decommissioned Pier 62.  The plan was to march up the sidewalk to Paddy Coynes for the Department Social.  That was the plan.  Delta decided “the hell with it,” and took over all the north bound lanes!  What could we do?  We gave them about a 10 minute lead, and then Boston went off with us behind them, traffic be damned.
When we got to the pub and marched in, it felt like a hero’s welcome.  Between the three bands, there had to have been over 50 pipers and nearly as many drummers.  It was a sight to be sure.  Great guys, great fun!  One of the Boston pipers (Steve McLaughin) was so happy to be there, he exchanged lapel pins with me.


Sunday was the Big Event.  We met at Seattle University and started setting up for the concert.  Like any performance event, there was a tremendous amount of “hurry up and wait.”  But we did get off the ground at 6:00 p.m.  The finale was an In Memoriam video of the fallen from all three departments, while we played Amazing Grace.  There may have been some dry eyes in the audience, but I didn’t see them. (Delta PD was kind enough to post an edited version of the concert on YouTube.  The link is here: Seattle Police Inaugural Concert

I know quite a few of the band members went out for celebratory drinks, but I personally had had enough over the last few days, and was quite happy to spend the rest of the evening at home with my wife.

Monday Delta P.D. had to go home, and some of our band mates treated Boston Pipes and Drums to a tour of the Space Needle.  With the assistance of Guardian One, they were able to get photos of both bands on top of the needle!  Me, I had to work.  Besides, I dislike heights…


Tuesday we were back at it.  We met at 9 to do a walk-through of Safeco Field, where we would be playing that night.  
Afterwards, we marched to the Police Guild BBQ and played there.  Several of the band members were content to hang out in our drum major’s R.V.  But the rest of us managed to get rides back to our cars.  I got home for an hour or two with my boots off, and some general cooling down.

At about 1600, we met again and went to F.X. McRory’s.  We met Boston there and we all played at the bar.  Then we marched to Safeco Field, playing through the Aisle of Vendors.

A last minute tuning, then we took the field at about a quarter to seven.  Again, we did our 4/4’s and Boston did their set.  Once the game started (Mariners vs. Yankees) Safeco management was kind enough to give us a place to stash our instruments and buy us each a beer.  The rest of the game we had people (especially women) chatting us up, thanking us for being cops and commenting on our kilts.
Unfortunately, Steve said he caught hell about giving his lapel pin away and needed it back.  I told him he could keep my pin, as I could easily replace it.  He was kind enough to give me a challenge coin in return.  I think I got the better part of that bargain.

Following the game we marched back to F.X. McRory’s.  Half way there, both bands stopped to play a few sets.  It had a nice “duel” feel to it.  A shame we knew so few tunes!

We finally dismissed, and eventually made it to our respective cars and back home.

The capper to this madness was July 28th; The Torchlight Parade.  Our instructor laughed at us that we were doing it so soon in our career.  He said it’s a little like training for a marathon by running a marathon.  But we were feeling pretty cock sure after all the practice we’d gotten in the previous week.  The short version is we made it through.  Personally, I was able to play nearly every time, except the last two sets.  My lips just weren’t there.


Although Boston was gone, The Seattle Fire Pipes and Drums met us at the end of the parade, and we all re-convened at F.X. McRory’s for more piping.  The word came down that if we were going to drink, we needed to remove our badges and secure our weapons.  It was sensible advice, to be sure.  Unfortunately there really wasn’t anywhere to secure our weapons.  Apparently someone found someplace, because I saw about half the band enjoying a pint or two.  Me, I stuck with water.

I managed to hang with the group through the beginning of another set, but then my lips were done for good.  While some of the band talked about heading up to Fado Irish Pub, I told the pipe major I had nothing left and was heading home.  I found out later I wasn’t the only one, so I don’t feel so bad about that.

It was an incredible experience, but great inspiration to learn more tunes.  (I am SO SICK of Minstrel Boy and Rowan tree…………!)

Tuesday, June 5, 2012

BREAKTHROUGH!!

I've been getting a bit frustrated lately with my playing.  While I am content with how I'm progressing on the tunes, I've been having the worst time playing with all three drones open.  I just couldn't seem to keep up enough pressure to maintain that steady background drone.  As the pressure drops off, the drone pitch changes, giving it a (what my instructor calls) a "double tone."  Not a desirable sound.
So I've been practicing squeezing the bag harder, and trying to keep the bag filled with air at the same time.  The offshoot of this is after one, maybe two tunes, I find myself squeezing down so hard, I'm actually starting to bend forward, while trying to fill the bag with air.  My lips break down and I might as well have a mouth full of Novocain for all the control I have over my mouth at that point.  After one particularly strenuous attempt, I started feeling pain in my groin.  And yes, I've been told that hernias are a very real risk for bagpipers. 
I figured I just needed to work harder to build more strength and stamina.

Then last week, after a discussion about obtaining new reeds, Neil (our instructor) said he wanted to test our pipes.  With reed instruments, if you force too much air through them, the sound will cut out.  So he asked each of us to blow our bags up and try to get to that point where the drone reeds cut out. 
I couldn't do it. 
So I tried again.  This time Neil squeezed the bag with me.  Even together we couldn't get the sound to cut out.  He took one of my drones off and blew directly through the reed till he was shaking and his face turned red.  Still couldn't get it to cut out.
He said that was a sign my pipes weren't "passing air efficiently." 
Drone reeds (pictured below) are cylindrical with a hole in the side.  The reed itself is a thin blade that covers that hole and vibrates as air passes over and under it into the hole.  How that reed covers that hole makes all the difference in the world to the instruments sound.


What Neil did was slide the bridle back, ever so slightly, then blew again.  He got the cut off.  He did this for each of my drone reeds and we put my pipes back together.  Then he asked me to play a tune.
Jesus, Mary and Joseph.  It was a WORLD of difference!  I felt like I had been struggling to push a stalled car down the street, and then the driver suddenly said, "Oh wait!  Let me take off the parking brake..."


Seriously, my drones were strong and clear, and sounded so easily!  I had to leave at that point, so I didn't get to experiment then, but once I got home I put them together and struck up the bag.
I got through the 3/4 marches as well as the 4/4 marches without needing to rest.  I felt elated, like I could play all night!  My regret is that I didn't know any jigs or reels, because I sure felt like playing something jaunty!
So thanks Neil, for taking the weights off my bat.

Wednesday, February 29, 2012

Oxygen anyone?

So I can maintain a single drone for about 5 minutes before I start feeling lightheaded.   Likewise, if I cork off all the drones, I can get through Barnyards of Delgaty before I feel like I'm going to pass out.   I suppose this is progress....

Wednesday, February 22, 2012

The new bagpipes are here! The new bagpipes are here!

Last week I received my bagpipes.
They are McCallum AB4s, with Celtic engraving, antique finish, and they are beautiful.
So, in spite of suffering with a bout of influenza, I put them together and blew them up.  I mean, how could I not?
I got all three drones to sound but got hit with a coughing fit before I could attach the chanter.

So I reluctantly put them away.

Two nights ago I was finally feeling better, so I decided I better start practicing.  I set them up and my kids were very excited to see what I was doing.  I warned them that it was going to get loud, and they might want to go into the other room, but all three refused.

I corked off the drones and tried to just focus on the chanter.  With the first note, my two year old RAN out of the room, followed by the 8 year old.  My five year old daughter, however, remained with me, just grinning at the god-awful squeaks coming through.

I closed the door to try and muffle the sound a little bit a tried it again.  Nothing fancy, just a scale.

I went from low G to A to B before I heard my son yelling “No dada!  No!”  I opened the door and told him it was all right.
“Loud, dada!  LOUD!” 
“Yes it is buddy.  It’s okay.  Just stay in the other room and I’ll close the door.”

I tried the scale again, but couldn’t get past C. 
Then I heard my 8 year old yell, “Oh, GROSS!  Sean just threw up!!”

I put the pipes down and went out to the other room.
Sure enough, Sean had gotten so worked up he spit up all over the couch.  So I put the pipes away and got to work cleaning the upholstery.

Now today was my first rehearsal with the Pipes.  My instructor Neil was great.  Another band member had just gotten her pipes as well, so he helped make sure we were set up correctly.  He had us cork off the base and one of the tenor drones as well as the chanter.  He told us that for now our practice was just to get used to sounding one drone for 5 minutes at a time. 

Everything I’d heard about the bagpipes being hard to play is absolutely right.  Trying to maintain enough pressure with my arm while keeping the bag full and not letting the blowpipe shoot out of my mouth took much more concentration than I expected.  It didn’t take long for me to get rubber lips and lose the seal around the blowpipe.

Next Neil looked at our chanters.  He said they will loosen with use, but we can jump start the process by moistening them very slightly prior to each practice, then gently squeezing the base of the reed to narrow the gap.  He also put a bridle (rubber band) around the base of the reed.
Then he had me cork off all three drones and pop the chanter in.  To my surprise, I was able to get through a full scale, both up and down.
Of course I immediately got light-headed and had to stop.

We went back to our practice chanters after that, but now I know what I need to work on with the full set of pipes.  Just practicing keeping one drone going will help me build the appropriate arm and mouth muscles to be able to play full tunes.

Wednesday, January 25, 2012

Advances and set backs

Short post as I'm on my way to combined practice.
The good new is I've been asked to head up the Uniform committee!

The bad news is that Ryan got the first kilt in from Neokilts and he said they are "awful."
He's supposed to bring them to practice today, so hopefully it's not as bad as he says.

I've ordered my pipes at the end of December and they are "supposed" to be here by the end of January.  Well, here it is near the end of January, and I'm waiting on pins and needles......